Edvard Munch — "My art is a diary of my life."
My art is a diary of my life.
My art is a diary of my life.
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"I create images from the depths of my soul."
"From my rotting body, flowers shall grow, and I am in them, and that is eternity."
"For as long as I can remember I have suffered from a deep sense of anxiety which I have tried to express in my art."
"My art is a form of self-portraiture."
"Had I been in possession of the as yet undiscovered little remote telephone which one carries around in one's pocket, you would have long ago received communications from me."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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