Yayoi Kusama — "My art is an expression of my life, particularly of my mental disease."
My art is an expression of my life, particularly of my mental disease.
My art is an expression of my life, particularly of my mental disease.
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"I want to turn the moon into a giant polka dot."
"I want to be remembered as a person who brought love and peace to the world through art."
"I use polka dots to express my feelings about the universe."
"I would cover everything - the walls, ceiling, floor, and myself - with polka dots."
"The polka dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colorful, senseless and unknow…"
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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