Stanley Kubrick — "Perhaps it's a good thing that I'm not very social, because I don't think I coul…"
Perhaps it's a good thing that I'm not very social, because I don't think I could stand the company of most living people.
Perhaps it's a good thing that I'm not very social, because I don't think I could stand the company of most living people.
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"I'm not interested in making films that are politically correct. I'm interested in making films that are honest, and that reflect the truth, even if it's an uncomfortable truth."
"The most terrifying fact about the universe is not that it is hostile but that it is indifferent; but if we can come to terms with this indifference and accept the challenges of life within the bounda…"
"The greatest truth is that there is no truth."
"The most important thing for any director is to have a good script. If you don't have a good script, you might as well not bother."
"I don't think there's any such thing as a happy ending. I think there's just an ending."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Attributed, often cited in discussions about his reclusiveness
Date: Unknown
Self-DeprecatingFound in 1 providers: grok
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