Claude Monet — "The essence of the motif is the mirror of water, whose appearance alters at ever…"
The essence of the motif is the mirror of water, whose appearance alters at every moment.
The essence of the motif is the mirror of water, whose appearance alters at every moment.
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"I never had one [a studio] and personally I don't understand why would want to shut themselves up in some room. Maybe for drawing, sure, but not for painting."
"I'm having a very bad day. I wish I could just stay in bed."
"I'm still unable to work. I'm afraid I'll never be able to paint again."
"I'm having a very hard time with my work. I'm completely discouraged."
"If the world really looks like that I will paint no more!"
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Undated, referring to his Water Lilies series.
Date: Undated, approximate early 20th century
PhilosophicalFound in 1 providers: gemini
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