Edvard Munch — "The greatest pleasure in life is to create."
The greatest pleasure in life is to create.
The greatest pleasure in life is to create.
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"Art comes from the inside. When a person is very sad, he can paint a beautiful picture."
"By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life."
"I see ghosts in the daylight."
"I felt as if there were invisible threads connecting us – I felt the invisible strands of her hair still winding around me – and thus as she disappeared completely beyond the sea – I still felt it, fe…"
"Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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