Stanley Kubrick — "The most important thing for me is to try to make films that are interesting to …"
The most important thing for me is to try to make films that are interesting to me, and that I would want to see.
The most important thing for me is to try to make films that are interesting to me, and that I would want to see.
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"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"The more you know, the more you realize you don't know."
"If it can be written, or thought, it can be filmed."
"You have not yet learned that in this life you have to be like everyone else: the perfect mediocrity--no better, no worse. Individuality is a monster and it must be strangled in its cradle to make our…"
"The condition of man is to be in a state of perpetual struggle, and it is through this struggle that he finds his identity."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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