Claude Monet — "The motif is insignificant for me; what I want to reproduce is what exists betwe…"
The motif is insignificant for me; what I want to reproduce is what exists between the motif and me.
The motif is insignificant for me; what I want to reproduce is what exists between the motif and me.
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"I'm absolutely furious. I want to break something."
"The motif is secondary; what I want to capture is what there is between the motif and myself."
"I want the inexpressible. I want to paint the air in which the bridge, the house, the boat are situated, the beauty of the air in which they are."
"I must have flowers, always, and always."
"It's on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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