Claude Monet — "The motif is insignificant for me; what I want to reproduce is what exists betwe…"
The motif is insignificant for me; what I want to reproduce is what exists between the motif and me.
The motif is insignificant for me; what I want to reproduce is what exists between the motif and me.
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"I'm absolutely disgusted with myself. I'm a failure."
"I'm absolutely desperate. I'm going to throw in the towel."
"I am working very hard, struggling with a series of different effects, but the sun goes down so fast that I cannot follow it."
"I'm so frustrated. Nothing is working out."
"It's on the strength of observation and reflection that one finds a way. So we must dig and delve unceasingly."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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