Claude Monet — "The motif is secondary; what I want to capture is what there is between the moti…"
The motif is secondary; what I want to capture is what there is between the motif and myself.
The motif is secondary; what I want to capture is what there is between the motif and myself.
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"I'm absolutely miserable. I hate everything."
"What I like most of all in London is the fog."
"I'm absolutely furious with myself. I'm so stupid."
"I'm absolutely exhausted. I need a break."
"We are so lucky to be painters. We see so much beauty."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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