Marquis de Sade — "There is no better way to know death than to link it with some licentious image."
There is no better way to know death than to link it with some licentious image.
There is no better way to know death than to link it with some licentious image.
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"The essence of pleasure is in its excess."
"It has, moreover, been proven that horror, nastiness, and the frightful are what give pleasure when one fornicates. Beauty is a simple thing ugliness is the exceptional thing. And fiery imaginations, …"
"The only true morality is to live according to one's own desires."
"The greatest pleasure is to be free from all constraints."
"I am a man of my word, and my word is law."
French aristocrat-libertine whose name became 'sadism' and whose novels test the limits of Enlightenment liberalism's 'do as you will' axiom. Closely associated with Pierre Choderlos de Laclos (Les Liaisons dangereuses author). For an intellectual contrast, see Immanuel Kant, German Enlightenment philosopher of the categorical imperative — Sade and Kant published in the same decades; Kant's 'treat others as ends, never means' is the systematic ethical opposite of Sade's libertine instrumentalism — the two roads philosophy took out of Enlightenment freedom.
The standard scholarly entry points to Marquis de Sade's work: Maurice Blanchot (French literary critic) — Lautréamont and Sade (1949); Jacques Lacan (École freudienne de Paris) — Kant with Sade (1963 essay); Camille Paglia (University of the Arts Philadelphia) — Sexual Personae (1990) — extensive Sade chapters. These are the works graduate seminars cite when teaching Marquis de Sade.
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