Marquis de Sade — "There is no better way to know death than to link it with some licentious image."
There is no better way to know death than to link it with some licentious image.
There is no better way to know death than to link it with some licentious image.
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"So long as the laws remain such as they are today, employ some discretion: loud opinion forces us to do so; but in privacy and silence let us compensate ourselves for that cruel chastity we are oblige…"
"Don't have children: they deform women's bodies and turn into an enemy 20 years later."
"To destroy is to create."
"My passions are violent, and when they speak, it is impossible for me not to obey."
"Crimes are always committed for the sake of enjoyment."
French aristocrat-libertine whose name became 'sadism' and whose novels test the limits of Enlightenment liberalism's 'do as you will' axiom. Closely associated with Pierre Choderlos de Laclos (Les Liaisons dangereuses author). For an intellectual contrast, see Immanuel Kant, German Enlightenment philosopher of the categorical imperative — Sade and Kant published in the same decades; Kant's 'treat others as ends, never means' is the systematic ethical opposite of Sade's libertine instrumentalism — the two roads philosophy took out of Enlightenment freedom.
The standard scholarly entry points to Marquis de Sade's work: Maurice Blanchot (French literary critic) — Lautréamont and Sade (1949); Jacques Lacan (École freudienne de Paris) — Kant with Sade (1963 essay); Camille Paglia (University of the Arts Philadelphia) — Sexual Personae (1990) — extensive Sade chapters. These are the works graduate seminars cite when teaching Marquis de Sade.
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