Stanley Kubrick — "To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and…"
To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting.
To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting.
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"The problem with most people is that they're not willing to take risks. They want to play it safe, and that's why they never achieve anything great."
"The very meaning of life is suffering. We are born to suffer, to suffer to help others to suffer."
"The really terrifying thing about 'The Shining' is that it's a story about a man who goes mad and tries to kill his family. And that's something that can happen to anyone."
"Man is a ape with a conscience."
"The most terrifying fact about the universe is not that it is hostile but that it is indifferent; but if we can come to terms with this indifference and accept the challenges of life within the bounda…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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