Quentin Tarantino — "Violence in real life is terrible; violence in movies can be cool. It's just ano…"
Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with.
Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with.
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"I've never been interested in making a movie that everybody likes. I'm interested in making movies that I like."
"Violence is fun, man."
"I'm a big fan of dialogue. I think it's important."
"I don't think about the awards season when I'm making a movie. I just think about making a good movie."
"Failure brings great rewards - in the life of an artist."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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