Geoffrey Chaucer — "Wel koude he rede a lessoun or a storie, / But al above that he koude singe."
Wel koude he rede a lessoun or a storie, / But al above that he koude singe.
Wel koude he rede a lessoun or a storie, / But al above that he koude singe.
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"And evere he rood the hyndreste of oure route."
"For he hadde yeve his lord, and that of grace, The pleyn felicitee of his richesse."
"His curly hair looked as if they were pressed in a machine and his clothes were embellished with red and white, as if it were a meadow full of fresh flowers."
"And yet he was to hym a greet encressour. / Noon auditour koude on his word so wel / Have caught hym in his sleighte, ne in his trayne."
"he pricked her hard and deep, like one gone mad."
English poet, civil servant, and the father of English literature; The Canterbury Tales (~1387-1400) is the founding text of English-language storytelling. Closely associated with Giovanni Boccaccio (his Italian predecessor; the Decameron preceded the Canterbury Tales by ~40 years). For an intellectual contrast, see John Wycliffe, English theologian and Lollard reform-movement leader — Wycliffe and Chaucer were near-contemporaries in the same English Christian world — Chaucer's Wife of Bath and Pardoner are the canonical literary defense of fleshly humanity against the Lollard moral austerity that would later become English Puritanism. Earthy storytelling vs proto-Protestant moralism.
General Prologue to The Canterbury Tales, describing the Pardoner. His ability to sing well, particularly the offertory, is highlighted as a tool for manipulation, making his 'talent' darkly 'weird'.
Date: c. 1387-1400
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