Claude Monet — "You say you think of savings all the time but you cannot seem to manage to,' and…"
You say you think of savings all the time but you cannot seem to manage to,' and he suggests it will do the children good to go without.
You say you think of savings all the time but you cannot seem to manage to,' and he suggests it will do the children good to go without.
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"I perhaps owe having become a painter to flowers."
"I never had one [a studio] and personally I don't understand why would want to shut themselves up in some room. Maybe for drawing, sure, but not for painting."
"I'm in a foul mood, furious at myself. It's going very badly, I'm not pleased with anything I do, and I destroy as fast as I paint."
"To see we must forget the name of the thing we are looking at."
"Étretat is becoming more and more amazing...it's superb and I rage at my inability to express it all better. You'd need to use both hands and cover hundreds of canvases."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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