Jackson Pollock

Abstract expressionism

Modern influential 93 sayings

Sayings by Jackson Pollock

I don't use the accident. I deny the accident.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

The painting has a life of its own. I try to let it come through.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

When I am in my painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

My painting does not come from the easel. I prefer to tack the unstretched canvas to the hard wall or the floor. I need the resistance of a hard surface. On the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.

1947-1948 — My Painting, article in Possibilities I
Strange & Unusual Unverifiable

It's not enough to be a good painter; you have to be a good boxer, too.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable

I have a definite rejection of the object.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

Abstract painting is abstract. It confronts you. What you see is what you see.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

I don't paint nature. I am nature.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable

The modern artist is working with space and time, and expressing his feelings rather than illustrating.

1950 — Radio interview, WNYC
Strange & Unusual Confirmed

I'm very representational, a lot of the time, and a lot of the time I'm not. But when you're working, you're not conscious of these things.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

It seems to me that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age finds its own technique.

1944 — Statement for a catalogue, Arts and Architecture
Strange & Unusual Unverifiable

I have always been a painter. I was a painter before I could talk.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable

I don't care how a painting is put on, as long as something is said. Technique is just a means of arriving at a statement.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

If people would just look at the pictures, I don't think they would have any trouble. All most people want from art is to be put in a good mood.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable

I don't think there's any such thing as a mistake.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable

I'm not an abstract artist.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

It's all a question of doing. When you are painting, you are not thinking about anything else.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable

Technique is just a means of arriving at a statement.

1950 — Interview with William Wright
Strange & Unusual Unverifiable

I don't believe in the accident. I think I'm in control.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable

The source of my painting is the unconscious.

unknown — Attributed, often cited in biographies
Strange & Unusual Unverifiable