Marlon Brando — "I hate acting. I hate the whole business."
I hate acting. I hate the whole business.
I hate acting. I hate the whole business.
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"Would people applaud me if I was a good plumber?"
"I've always been a little bit of a rebel."
"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."
"I think that the most important thing in life is to be true to yourself."
"I don't trust anybody. Not even myself."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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