Marlon Brando — "There are times when I think I'm going to go crazy, and then I realize I'm alrea…"
There are times when I think I'm going to go crazy, and then I realize I'm already there.
There are times when I think I'm going to go crazy, and then I realize I'm already there.
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"I think that the most important thing in life is to be true to yourself."
"I don't think acting is that important. It's just a way of making a living."
"The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it."
"I'm not a very social person. I don't like crowds."
"The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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