Stanley Kubrick — "You can't make a film without being a bit of a dictator. You have to be able to …"
You can't make a film without being a bit of a dictator. You have to be able to say, 'This is what I want,' and everyone else has to follow.
You can't make a film without being a bit of a dictator. You have to be able to say, 'This is what I want,' and everyone else has to follow.
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"Gentleman, You Can't Fight In Here. It's The War Room!"
"I think that man is a very dangerous animal, and that he has a great capacity for evil."
"I'm just an old man and I smell bad, remember?"
"The very nature of the film medium demands that the director be a kind of dictator. You have to be."
"The greatest obstacle to discovery is not ignorance, it is the illusion of knowledge."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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