Stanley Kubrick — "The greatest danger for most of us is not that our aim is too high and we miss i…"
The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.
The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.
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"Everything serious the drill instructor says, such as 'A rifle is only a tool, it is a hard heart that kills', is completely true."
"The condition of man is to be in a state of perpetual struggle, and it is through this struggle that he finds his identity."
"The more you know, the more you realize you don't know."
"The greatest truth is that there is no truth."
"I like to work with actors who are a little bit crazy."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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