Quentin Tarantino — "I'm not trying to be politically correct. I'm just trying to tell a good story."
I'm not trying to be politically correct. I'm just trying to tell a good story.
I'm not trying to be politically correct. I'm just trying to tell a good story.
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"I don't like to be subtle. I like to be in your face."
"I'm a big fan of movies that are thought-provoking."
"You know, anything can be- you can make a joke out of anything. You name me any horrific thing, and I can make a joke out of it, all right, because you know, and a joke is a joke."
"If you have the passion to do it, and you do it and it doesn't work out—I worked for 3 years on a 16mm movie that became nothing but guitar picks. And I was very disappointed when I realized it wasn't…"
"I like the way blood looks in black and white. It's like a Rorschach test."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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