Quentin Tarantino — "I don't like to be realistic. I like to be fantastical."
I don't like to be realistic. I like to be fantastical.
I don't like to be realistic. I like to be fantastical.
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"I'm a big fan of dialogue. I think it's important."
"When I start writing I write these crazy novels. And I don't know what to do about it. Well, write a novel. That's what you can do, write a novel. And don't make a movie out of it."
"If my answers frighten you then you should cease asking scary questions."
"I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the trashy stuff. I like the stuff that's not supposed to be good."
"A writer, a writer- you know, you should have this little voice inside of you saying, 'Tell the truth.'"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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