Quentin Tarantino — "I don't believe in political correctness. I believe in freedom of speech."
I don't believe in political correctness. I believe in freedom of speech.
I don't believe in political correctness. I believe in freedom of speech.
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"I don't care about being popular. I care about making movies that I'm proud of."
"I don't think about the audience when I'm making a movie. I just think about the story."
"I'm a big fan of movies that are unique."
"I don't do drugs anymore, but I used to. And I don't regret it."
"I don't answer questions like that. I reject your hypothesis."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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