Edvard Munch — "When you argue with your inferiors, you convince them of only one thing: they ar…"
When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
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"The camera can't lie, but it can be an accomplice to a lie."
"The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting."
"In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head."
"Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it."
"I am not interested in painting pretty pictures."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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