Edvard Munch — "The camera can't lie, but it can be an accomplice to a lie."
The camera can't lie, but it can be an accomplice to a lie.
The camera can't lie, but it can be an accomplice to a lie.
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"I am a child of the night, a child of sorrow and longing."
"It is not the eye that sees, but the soul."
"The true purpose of art is to make us feel alive."
"I hear the scream of nature."
"The sun no longer gives light. The sky is black. The earth is an empty space."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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