Quentin Tarantino — "I'm a big fan of movie posters. I think they're a work of art."
I'm a big fan of movie posters. I think they're a work of art.
I'm a big fan of movie posters. I think they're a work of art.
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"It's not that I'm on this big crusade against linear storytelling, but the thing is it's not the only game in town. A novel can do that no problem. Novelist have always had complete freedom to pretty …"
"I'm a big fan of ensemble casts."
"I just want the same rights that a novelist has... you can write a novel about a bastard, but he can be totally interesting."
"I'm a big fan of movies that challenge the audience."
"I don't have a personal life. I just have movies."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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