Quentin Tarantino — "I don't like to be safe. I like to take risks."
I don't like to be safe. I like to take risks.
I don't like to be safe. I like to take risks.
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"I'm a big fan of long takes. I think they're cinematic."
"If I've made it a little easier for artists to work in violence, great!"
"I actually really try to um have morality not even be an issue at all all right when it comes to my characters. That's so interesting i mean you know I don't want that to have any play whatsoever. i T…"
"If my movies were any more violent, they’d have to come with a vomit bag and a therapist."
"The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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