Jeff Koons — "Banality is my subject."
Banality is my subject.
Banality is my subject.
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"I'm interested in the idea of the spectacle. I think that art can be a spectacle."
"I’ve always been interested in the idea of the new, but the new is really about communication, it’s about connection. It’s about being able to communicate with people and being able to share with them…"
"I want my work to foster a sense of community and connection."
"I'm interested in the idea of the sacred, and how art can touch upon it."
"I think that art is about being able to communicate with the largest possible audience."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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