Jeff Koons — "I'm interested in the idea of the everyday. I think that art can be found in eve…"
I'm interested in the idea of the everyday. I think that art can be found in everyday objects.
I'm interested in the idea of the everyday. I think that art can be found in everyday objects.
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"I want the viewer to feel good, to feel empowered, to feel self-accepted."
"I'm interested in the idea of the sacred, and how art can touch upon it."
"I want to encourage people to embrace their individuality."
"I want to communicate to people that they should feel good about themselves and that they should feel empowered."
"I think that art really is about self-acceptance. It's about being able to accept oneself and to be able to communicate that to others."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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