Edvard Munch — "Death is the end of everything, but it is also the beginning of something new."
Death is the end of everything, but it is also the beginning of something new.
Death is the end of everything, but it is also the beginning of something new.
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"I do not paint what I see, but what I saw."
"I paint the states of the soul."
"The human soul is a vast, unfathomable ocean."
"And I would often wake up at night and stare widely into the room: Am I in Hell?"
"Every person is a universe."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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