Claude Monet — "England did not care for our paintings."
England did not care for our paintings.
England did not care for our paintings.
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"Now I really feel the landscape. I can be bold and include every tone of pink and blue: it's enchanting, it's delicious."
"I'm completely disheartened. I don't know what to do with myself."
"No, I'm not a great painter. Neither am I a great poet."
"I'm completely overwhelmed. I can't think straight."
"I am working very hard, struggling with a series of different effects, but at this time of year the sun sets so fast that I cannot keep up with it."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Personal observation about the reception of Impressionist art in England
Date: Late 1800s
Art & CreativityFound in 1 providers: gemini
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