Claude Monet — "Now I really feel the landscape. I can be bold and include every tone of pink an…"
Now I really feel the landscape. I can be bold and include every tone of pink and blue: it's enchanting, it's delicious.
Now I really feel the landscape. I can be bold and include every tone of pink and blue: it's enchanting, it's delicious.
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"I'm never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel."
"I'm completely overwhelmed. I'm going to collapse."
"I'm beginning to think I'm completely stupid."
"I have such a fear of not being able to finish what I have undertaken."
"These landscapes of water and reflection have become an obsession for me. It is beyond my strength as an old man, and yet I want to render what I feel."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Undated, expressing his confidence and joy in painting.
Date: Undated, approximate late 19th/early 20th century
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