Claude Monet — "Everything changes, even stone."
Everything changes, even stone.
Everything changes, even stone.
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"I perhaps owe having become a painter to flowers."
"I'm having a very bad time. I'm completely miserable."
"I'm so frustrated. Nothing is working out."
"I'm in a foul mood, furious at myself. It's going very badly, I'm not pleased with anything I do, and I destroy as fast as I paint."
"I'm having a very bad day. I feel like crying."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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