Claude Monet — "Everything changes, even stone."
Everything changes, even stone.
Everything changes, even stone.
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"For a month I have been unable to paint because I lack the colours. That's not important. Right now it's my wife's life in jeopardy that terrifies me. It is unbearable to see her suffer."
"I am following Nature without being able to grasp her..."
"I'm completely worn out. I need a long vacation."
"Impression – I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic …"
"I am very depressed and deeply disgusted with painting. It is really a continual torture."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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