Quentin Tarantino — "Filmmaking can be a democratic process. In which other people, other than rich w…"
Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies.
Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies.
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"A writer, a writer- you know, you should have this little voice inside of you saying, 'Tell the truth.'"
"I'm a big fan of Westerns. I think they're America's greatest art form."
"I'm a big fan of movies that are visually striking."
"I'm a cheerleader towards violence in cinema. you know I have no problem is saying that I like violent movies. and I respond to violent movies. and I actually think violence is one of the things. that…"
"I'm a big fan of movies that are unapologetically violent."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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