Quentin Tarantino — "I don't think about the message of my films. I just think about the story."
I don't think about the message of my films. I just think about the story.
I don't think about the message of my films. I just think about the story.
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"I'm a big fan of violence in movies. I think it's fun."
"I don't think about the audience when I'm making a movie. I just think about the story."
"I don't believe in political correctness. I believe in freedom of speech."
"I'm a big fan of movies that are thought-provoking."
"I don't care for Matthew Lillard."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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