Quentin Tarantino — "George Clooney is not a movie star."
George Clooney is not a movie star.
George Clooney is not a movie star.
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"I like the way blood looks in black and white. It's like a Rorschach test."
"I'm a big fan of movie posters. I think they're a work of art."
"I'm a big fan of feet. I think feet are very sexy."
"I don't like to be safe. I like to take risks."
"Insects too. Unless I'm paying to see some bizarro documentary, I'm not paying to see real death. Part of the way that this all works is that it's all just make believe. That's why I can stand the vio…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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