Edvard Munch — "I admire how you let your body and my body die in your love—but you must forgive…"
I admire how you let your body and my body die in your love—but you must forgive me if I do not feel the heat of this love in myself.
I admire how you let your body and my body die in your love—but you must forgive me if I do not feel the heat of this love in myself.
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"The true purpose of art is to make us feel alive."
"I am a child of the night, a child of sorrow and longing."
"I was walking along the road with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire abo…"
"The colors live a remarkable life of their own after they have been applied to the canvas."
"The camera cannot compete with the brush and palette, it is far too clumsy."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A detached and cold reflection on a romantic relationship, expressing a lack of reciprocal feeling.
Date: Late 19th - Early 20th Century
Love & RelationshipsFound in 1 providers: gemini
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