Jeff Koons — "I believe in the power of art to transform people's lives."
I believe in the power of art to transform people's lives.
I believe in the power of art to transform people's lives.
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"I'm interested in the idea of the consumer. I think that art can be a form of consumption."
"I want my work to be a balance between the ideal and the real."
"I’ve always been interested in the idea of the new, but the new is really about communication, it’s about connection. It’s about being able to communicate with people and being able to share with them…"
"I'm interested in the idea of the unexpected, and how art can surprise us."
"I think that art should be fun. It should be something that people enjoy."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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