Edvard Munch — "I do not believe in the art which is not the compulsive result of man's urge to …"
I do not believe in the art which is not the compulsive result of man's urge to open his heart.
I do not believe in the art which is not the compulsive result of man's urge to open his heart.
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"I think I am suited only to paint pictures so I know that I must choose between love—and my work."
"My father was temperamentally nervous and obsessively religious – to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side sinc…"
"Death is the end of everything, but it is also the beginning of something new."
"I have created my art as a necessity, as an expression of my innermost being."
"Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Stating his belief that true art must come from deep emotional compulsion.
Date: Late 19th - Early 20th Century
InspirationalFound in 1 providers: gemini
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