Stanley Kubrick — "I don't believe in happy endings. I believe in realistic endings, and sometimes …"
I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy.
I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy.
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"However vast the darkness, we must supply our own light."
"I do not believe in God, but I am very interested in the possibility that there is something else."
"I'm just an old man and I smell bad, remember?"
"Perhaps it's a good thing that I'm not very social, because I don't think I could stand the company of most living people."
"The very meaning of life is suffering. We are born to suffer, to suffer to help others to suffer."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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