Stanley Kubrick — "I don't believe in happy endings. I believe in realistic endings, and sometimes …"
I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy.
I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy.
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"I'm not interested in making films that are politically correct. I'm interested in making films that are true to human nature, however ugly that may be."
"Full Metal Jacket suggests there is more to say about war than it is just bad."
"The very nature of the film medium demands that the director be a kind of dictator. You have to be."
"There's something in the human personality which resents things that are clear, and conversely, something which is attracted to things that are vague, mysterious, or even a little opaque."
"It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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