Quentin Tarantino — "I don't care for Matthew Lillard."
I don't care for Matthew Lillard.
I don't care for Matthew Lillard.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"Most of it should be subconscious, if the work is coming from a special place. If I'm thinking and maneuvering that pen around, then that's me doing it. I really should let the characters take it. But…"
"People can uh absolutely positively uh accuse my movies of being bloodthirsty. and they might very well be right and if that is not your cup of tea. then you should drink another cup of tea."
"I'm a big fan of retro. I think it's cool."
"I'm a filmmaker. I don't care about the real world."
"I'm a slave to my imagination."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Your cart is empty