Simone de Beauvoir — "I don't know if I'm a good writer, but I'm a good woman."
I don't know if I'm a good writer, but I'm a good woman.
I don't know if I'm a good writer, but I'm a good woman.
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"In the face of an obstacle which is impossible to overcome, stubbornness is stupid."
"There is something in me which is not quite proper, for I do not like to be told what to do."
"There are admirable women, but they all have something masculine about them."
"I am better at dry sadness than at cold anger, for I remained dry eyed until now, as dry as smoked fish, but my heart is a kind of dirty soft custard inside."
"I am going to die, and I don't know what to do with myself."
French existentialist philosopher whose The Second Sex (1949) is the foundational text of modern feminist theory. Closely associated with Jean-Paul Sartre (lifetime partner and existentialist co-founder) and Albert Camus (existentialist contemporary in Paris). For an intellectual contrast, see Camille Paglia, American cultural critic and Sexual Personae author — Paglia argues for biological-essentialist roots of gender that Beauvoir's social-construction view — 'one is not born, but rather becomes, a woman' — explicitly rejects. The two are the cleanest constructed-vs-essentialist poles in feminist theory.
The standard scholarly entry points to Simone de Beauvoir's work: Toril Moi (Duke, James B. Duke Distinguished Professor) — Simone de Beauvoir: The Making of an Intellectual Woman (1994); Margaret A. Simons (Southern Illinois University, Emerita) — Beauvoir and The Second Sex (1999); Kate Kirkpatrick (Oxford, Regent's Park College) — Becoming Beauvoir: A Life (2019). These are the works graduate seminars cite when teaching Simone de Beauvoir.
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