Marlon Brando — "I don't like to be categorized. I think it's limiting."
I don't like to be categorized. I think it's limiting.
I don't like to be categorized. I think it's limiting.
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"The only thing I ever learned from acting was that I could make a lot of money."
"I think the great actors are the ones who are willing to make fools of themselves."
"I'm a fairly solitary person. I like to be alone a lot."
"I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous."
"I don't think I'm a very good actor. I'm not that talented. I'm just lucky."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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