Marlon Brando — "I don't think there's any such thing as a normal person."
I don't think there's any such thing as a normal person.
I don't think there's any such thing as a normal person.
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"I don't like to be famous. I don't like to be a star."
"I put on an act sometimes, and people think I'm insensitive. Really, it's like a kind of armor because I'm too sensitive. If there are two hundred people in a room and one of them doesn't like me, I'v…"
"Acting is the expression of a neurotic impulse. It's a bum's life."
"If there’s anything unsettling to the stomach, it’s watching actors on television talk about their personal lives."
"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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