Marlon Brando — "I don't like to be famous. I don't like to be a star."
I don't like to be famous. I don't like to be a star.
I don't like to be famous. I don't like to be a star.
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"The more sensitive you are, the more certain you are to be brutalized, develop scabs, never evolve. Never allow yourself to feel anything, because you always feel too much."
"I'm just a simple man trying to make his way in the universe."
"I don't like to be pushed around by anybody—including the government."
"I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being."
"I don't like to be bothered. I like to be left alone."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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