Marlon Brando — "I'm not a very good person. I'm not a very nice person. I'm not a very happy per…"
I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being.
I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being.
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"Most of the successful people in Hollywood are failures as human beings."
"I had to read Wuthering Heights for English and I never enjoyed a book in all my life as much as that one."
"I don't have any regrets. I've lived my life the way I wanted to."
"If there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing."
"I think that the most important thing in life is to be passionate."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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