Quentin Tarantino — "I don't like to be subtle. I like to be in your face."
I don't like to be subtle. I like to be in your face.
I don't like to be subtle. I like to be in your face.
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"I don't care about what people say about my movies. I make them for myself."
"I'm a big fan of the unexpected. I think it's what makes movies fun."
"I don't think about the commercial success of my films. I just think about making a good movie."
"I think every film I make is a genre unto itself."
"If a guy is shot in the stomach and he's bleeding like a stuck pig, I want to see him bleeding like a stuck pig that is the That is now the situation you're dealing with all right it's not he's ow he'…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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