Quentin Tarantino — "I don't like to be subtle. I like to be in your face."
I don't like to be subtle. I like to be in your face.
I don't like to be subtle. I like to be in your face.
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"I don't like to be told what to do. I like to do what I want to do."
"It was statutory rape. He had sex with a minor. That's not rape. To me, when you use the word rape, you're talking about violent, throwing them down — it's like one of the most violent crimes in the w…"
"I think violence is a legitimate cinematic tool."
"Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with."
"I'm a big fan of movies that are unique."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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