Quentin Tarantino — "I don't like to be subtle with my intentions. I like to be clear."
I don't like to be subtle with my intentions. I like to be clear.
I don't like to be subtle with my intentions. I like to be clear.
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"Failure brings great rewards - in the life of an artist."
"I was kind of excited to go to jail for the first time and I learnt some great dialogue."
"I'm a big fan of movies that are unique."
"I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema."
"The only time I cry is when I watch 'E.T.' And when I run out of ketchup."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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