Stanley Kubrick — "I don't like to talk about my films. I like to let them speak for themselves."
I don't like to talk about my films. I like to let them speak for themselves.
I don't like to talk about my films. I like to let them speak for themselves.
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"What I'm trying to do is make films that are a little bit ahead of their time, that will still be relevant in twenty or thirty years."
"I never learned anything at all in school and didn't read a book for pleasure until I was 19 years old."
"The novel (The Shining) is by no means a serious literary work, but the plot is for the most part extremely well worked out, and for a film that is all that really matters."
"The great thing about being a director is that you get to play God. You get to create your own world, and you get to control everything in it."
"I'm not interested in making films that are easy to categorize. I want to make films that defy categorization."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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