Stanley Kubrick — "The thing about life is that it's a tragedy, but it's also a comedy. It's both a…"
The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time.
The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time.
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"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"I think the best plots are the ones that are not too obvious, that are sort of hidden in the subtext, so that you have to think about them a bit."
"Mr. President, I'm Not Saying We Wouldn't Get Our Hair Mussed. But I Do Say No More Than 10 To 20 Million Killed Tops...Depending On The Brakes."
"I do not believe in God, but I am very interested in the possibility that there is something else."
"The best education is to travel."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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