Quentin Tarantino — "Life is a bleeding, screaming, violently jerking pig in your arms. And death is …"
Life is a bleeding, screaming, violently jerking pig in your arms. And death is you holding a bunch of heavy unmoving meat.
Life is a bleeding, screaming, violently jerking pig in your arms. And death is you holding a bunch of heavy unmoving meat.
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"I'm a big fan of writing dialogue. It's my favorite part of filmmaking."
"Violence was like another character in the room. It hung over the proceedings. You kept waiting for every conversation to break out into it. So even if it was funny, the audience might have laughed, b…"
"If I've made it a little easier for artists to work in violence, great!"
"I don't think about the message of my films. I just think about the story."
"I'm a storyteller, not a moralist."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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