Marlon Brando — "I don't think acting is a very noble profession. It's just a way to make a livin…"
I don't think acting is a very noble profession. It's just a way to make a living.
I don't think acting is a very noble profession. It's just a way to make a living.
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"I hate acting. I hate the whole business."
"I don't like to be analyzed. I think it's intrusive."
"I'm not a hero. I'm a human being."
"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."
"The camera is a lie. It's a machine that distorts reality."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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